The Best Songs Released in March 2025

Happy March! Be sure to check out our previous Best of the Month posts HERE and our reviews HERE—we reviewed six albums in March!

Noteworthy album & EP releases:
As Far as The Eye Can See, AJ Mitchell
Super Pedestrian, Annie DiRusso
eternal sunshine deluxe: brighter days ahead, Ariana Grande
Could’ve Been Anyone, Charlie Hickey
Second Wind, Daniel Seavey
Moneyball, Dutch Interior
Holly Wholesome and the Slut Machine, Fake Dad
Big Smile, Greer
Earthstar Mountain, Hannah Cohen
Girl of the Hour, Housewife
Sweetness, girlpuppy
For Melancholy Brunettes (& sad women), Japanese Breakfast
RUBY, Jennie
PAID IN MEMORIES, Jessie Reyez
Achilles, Kevin Atwater
Mayhem, Lady Gaga
Forever Is A Feeling, Lucy Dacus
Entries, Mack Keane
Equus Asinus, Men I Trust
Rushmere, Mumford & Sons
Glory, Perfume Genius
Blood on The Silver Screen, Sasami
I Said I Love You First, Selena Gomez and Benny Blanco
PORTRAIT OF MY HEART, Spellling
Every Dawn’s a Mountain, Tamino
Clarity of Cal, Vulfpeck
Surgery and Pleasure, Vundabar

In chronological order:

“Anxiety” – Doechii
Release date – March 5

Doechii’s “Anxiety,” officially released on March 5th, is a long-awaited gift to fans who’ve been begging for it since she first teased the track on YouTube years ago. Sampling Gotye’s “Somebody That I Used to Know,” the song transforms a familiar breakup anthem into a deeply personal confession about mental health and self-doubt. Doechii delivers razor-sharp verses with signature flair, balancing vulnerability and swagger, and giving voice to emotions many of us struggle to name. It’s instantly relatable—both for its content and for the journey it took to get here.

Since her breakthrough, Doechii’s origins as a YouTuber and her devotion to The Artist’s Way have become part of her lore—proof that if you stay consistent and trust your process, it really can pay off. “Anxiety” feels like a full-circle moment: a song born from those early, hungry days that now stands tall in her official discography. That she listened to her fans and gave this track a proper release only adds to her magnetic authenticity. – Jesse

“Handlebars” – Jennie, Dua Lipa
Release date – March 7

“Handlebars” has quickly emerged as a standout on BLACKPINK’s Jennie Ruby Jane’s debut album JENNIE, and it’s not hard to see why. Teaming up with Dua Lipa, the track oozes confidence and cool, riding a funky bassline with effortless swagger. The collaboration feels natural—Jennie’s sharp, smooth delivery pairs perfectly with Dua’s sultry pop sensibility, creating a song that’s as catchy as it is stylish. It’s a playful, flirty anthem that leans into desire and control, anchored by a chorus that’s impossible not to move to.

The music video for “Handlebars” takes the energy of the song and dials it all the way up—visually stunning and dripping with glamor. From shimmering outfits to neon-lit sets, every frame feels like a fashion editorial come to life. Jennie and Dua Lipa look absolutely radiant, commanding the screen with the kind of effortless presence that makes this moment feel iconic. With “Handlebars,” Jennie proves she’s not just stepping into solo stardom—she’s owning it. – Jesse

“Killah” – Lady Gaga, Gesaffelstein
Release date – March 8

I was incredibly excited for the release of Lady Gaga’s sixth studio album, Mayhem: I absolutely loved “Disease” upon its release late last year and I loved “Abracadabra” even more. With that being said, I still haven’t fully fallen in love with the project as a whole, but I do really enjoy about half of the album. But the songs I do love, I LOVE. Right now, my number one is “Killah,” the sixth song on Mayhem featuring Gesaffelstein, the 39-year-old French DJ and producer.

Co-written by Mike Levy (Gesaffelstein), Andrew Watt, and Henry Walter (Cirkut), and produced by the same lineup, “Killah” is an over-the-top good time: most of the album is packed with references to artists like Prince, Nine Inch Nails, and David Bowie, and “Killah” is no exception. The song jumps immediately into a funky groove and a killer (pun intended) guitar hook that transports the listener straight to the ’80s. Whether the song is an intentional, campy ode to the big hair and leather jackets or Gaga’s authentic take on the era, I’m loving every second of it. – Kristin

“Relationships” – HAIM
Release date – March 12

It’s hard to believe that aside from a feature on the “Barbie” soundtrack and a random, one-off single released in 2022, we haven’t received a crumb of music from HAIM since their smash album, Women In Music Pt. III, which was released in 2021 to critical acclaim. While the trio of sisters hasn’t announced official plans of an album coming this year, it’s easy to assume that something will be coming after the release of “Relationships.”

Co-written by frequent collaborators Ariel Rechtshaid and Rostam Batmanglij and co-produced by Rostam Batmanglij, Danielle Haim, and Buddy Ross, “Relationships” is a deliciously addicting song about the nuances of love and the complexities that come with commitment. This song is the unofficial start to summer that everyone can get behind. – Kristin

“The Giver” – Chappell Roan
Release date – March 13

Back in November, Chappell Roan made her debut on the SNL stage with a performance of her smash hit “Pink Pony Club” and a performance of a then unreleased song, titled “The Giver.” The latter set had familiar Chappell aesthetics—a pink fit, high hair, cowgirl boots and an all female band. The song, however, boasted a new sound: decidedly more country than pop, featuring a fiddle and banjo. “The Giver” was finally released as a single on March 13. Marketing for the track includes Chappell cosplaying as various helpful professionals. She is a dentist, billboard lawyer, plumber, and a construction worker.

“The Giver” is the first full-on country track for the Missouri born artist. In an interview with Amazon Music, Chappell said, “I can’t call myself a midwest princess and not acknowledge country music.” She continues by saying that the song is not an attempt to cross-over into country music, but rather that she finds the concept of “a lesbian country song is really funny.” The Dan Nigro produced track is full of queer lyrics and double innuendos. Chappell refers to herself as
“Your Ex’s Worst Nightmare,” and belts that she “gets the job done.” The lyric “rhinestone cowgirl” refers to both the Glen Campbell song “Rhinestone Cowboy” and a sexual position. The song ends by speaking directly to the satisfied listener: “you’re welcome.” – Caitlin

“Familiar” – Aminé
Release date – March 14

Aminé is back with “Familiar,” a breezy, sun-soaked track that marks his first solo release in a while—and a bold reintroduction. The song blends his signature playful charm with a romantic, laid-back vibe, gliding over a lush beat that feels tailor-made for golden hour. It’s a confident return that teases a new chapter, while still delivering the offbeat charisma fans love.

Shortly after dropping the single, Aminé announced his next album 13 Months of Sunshine, due out at the end of May. The title hints at brightness, warmth, and maybe even a touch of nostalgia—fitting for an artist who’s always had a knack for making music that feels like summer. Following last year’s infectious collaboration with Kaytranada as KAYTRAMINÉ, this upcoming solo project feels poised to expand his sonic palette even further. – Jesse

“Give Me A Sign” – MARIS, Caroline Kingsbury
Release date – March 14

It’s hard enough for straight people to attempt to decode whether or not someone they’re interested in has reciprocated feelings: I can only imagine what it feels like as a queer person trying to determine whether or not someone may be into you. That’s exactly what indie pop girly MARIS is trying to decipher in her newest single “Give Me A Sign,” featuring Caroline Kingsbury. Adding yet another sparkly ’80s inspired track to her roladex, “Give Me A Sign” not only shows off MARIS’ vocal prowess, but her ability to write vulnerable lyrics.

“Not only does that rejection sting—the potential social ridicule of being gay and making a straight girl feel gross is terrifying,” MARIS said in a press release. Now, as an adult, I find myself terrified to make the first move, subconsciously begging my crushes to make the first move—so I can know if it’s safe for me to express my own attraction.” – Kristin